


‘A Complete Unknown‘ Review: Timothée Chalamet Rocks in Rather Restrained Bob Dylan Biopic
Adheres to the conformity of the music biopic format in all its Wikipedia-page-turned-screenplay characteristics.

'Mufasa: The Lion King' Review: Photorealistic Lion King Prequel Contains a Minor Roar
I’m glad Barry Jenkins got his bag, though.

'Sonic The Hedgehog 3' Review: The Blue Blur's Best Movie Yet
Works as a superb adaptation of Sonic Adventure 2 and the most refined Sonic film installment to date.

‘September 5’ Review: Newsroom Thriller About the Munich Massacre is Well Made Yet Ill-Timed
September 5 is so wrapped up in trying to be apolitical with this pivotal moment in media journalism history that it forgot to instill humanity or a moral compass.

'Queer' Review: Guadagnino Explores Esotericism With a Poignant, Homoerotic Portrait of Relationships
Artistic approach aside, I find Queer to be Guadagnino's most inventive and confident work to date.

'The Last Showgirl' Review: A Poignant American Portrait of the Overlooked Vegas Working-class
This is a role we have never seen Pamela Anderson in before, and she is razzle-dazzling throughout.

'Wicked' Review: Long-Awaited Adaptation Defies Expectations
And they were r-whoaoaoaoaaaaoooooo-mates.

'Vermiglio' Review: A Visually Mesmerizing and Powerfully Potent Historical Family Drama
What if I told you that one of the year’s finest dramas takes place in a remote Italian mountain town set in 1944?

'Red One' Review: A Lump of Coal Would’ve Been Better Than this Dreadful Christmas Comedy
an overpriced dreck of a Christmas movie devoid of Yuletide cheer.

'Wallace & Gromit: Vengeance Most Fowl' Review: Aardman Delivers Another Smashing Wallace & Gromit Classic
Wallace & Gromit. They are Britain's finest export right next to Paddington Bear.

'Venom: The Last Dance’ Review: SymBrock Face their Curtain Call in Another Typical Sony/Marvel Mess
A mediocre finale to a rather lackluster superhero trilogy.
A corporate affair as lifeless as working in a mine shaft.