'Queer' Review: Guadagnino Explores Esotericism With a Poignant, Homoerotic Portrait of Relationships
Artistic approach aside, I find Queer to be Guadagnino's most inventive and confident work to date.
'The Last Showgirl' Review: A Poignant American Portrait of the Overlooked Vegas Working-class
This is a role we have never seen Pamela Anderson in before, and she is razzle-dazzling throughout.
'Vermiglio' Review: A Visually Mesmerizing and Powerfully Potent Historical Family Drama
What if I told you that one of the year’s finest dramas takes place in a remote Italian mountain town set in 1944?
'Flow Review: Gints Zilbalodis’ Animated Animal Adventure Flick is a Refreshing, Near-Meow-ster Piece
Like ‘Homeward Bound’ in a biblical sense, but with no dialogue and GameCube-era cel-shaded textures.
'Anora' Review: Mikey Madison Slays as a Sex-Worker Who Pulls Herself up by the Stilettos
Sean Baker's Anora is a remarkable portrait of the American dreamers and go-getters of the Gen-Z kind.
‘Saturday Night’ Review: Jason Reitman Turns ‘SNL’ History into Fan Fiction
An overindulgent production that would be better off as an episode of Drunk History or Documentary Now
'Piece By Piece' Review: Pharrell's LEGO Bio Doc Kinda Clicks
Morgan Neville's Pharrell-centered docis a beautifully animated experience, despite surface-level storytelling from its subject.
'Heretic' Review: Hugh Grant Force Mormons to Attend His Anti-Religious TED Talk in Sharp A24 Horror
Scott Beck and Bryan Woods’ latest is a sharp philosophic-based religious thriller that shines in an anti-holy light.
‘K-Pops!’ Review: Anderson .Paak’s Delightful Directorial Debut Hits All the Right Notes
A heartwarming and hilarious father-son family comedy with a passion for K-Pop and Hip-Hop culture.
'We Live in Time' Review: Florence Pugh and Andrew Garfield's Electric Chemistry Sparks Mid Romantic Drama
A romantic two-hander that shows why Florence Pugh and Andrew Garfield are two of Britain's best actors today.
‘Jane Austen Wrecked My Life’ Review: Cozy Jane Austen-Influenced Rom-Com Marks a Smashing Debut for Laura Piani
TIFF 2024: 🙈 What if we kissed at the Jane Austen house? 😳