'Drive-Away Dolls' Review: Ethan Coen Waves Ally Flag With a Fun Lesbian Caper Worth Strapping Into
Gives the gay girlies with a love for Coen-coded movies a happy ending.
'The Tiger's Apprentice' Review: Animated Fantasy Kids Flick Lacks a Mighty Roar
Sigh, another L for Paramount Animation
'Scrambled' Review: Leah McKendrick Makes Grand Debut With Millennial Fertility Coming-of-Age Comedy
A remarkable showcase for McKendrick, who provides a raw yet hilarious breakthrough performance.
'Argylle' Review: Bryce Dallas Howard Holds Matthew Vaughn's Light, Stylish Spy Caper Together
Matthew Vaughn, for the love of God, please shoot on location.
'Miller's Girl' Review: Tumblr-fied Script Forsakes Jenna Ortega in 90s-Wannabe Erotic Thriller
Jade Halley Bartlett's hollow manic-gothic-screenplay fails to reach an intelligent margin.
'Mean Girls' Review: Tina Fey's Catty Plastics Return in Musical Form Wearing Shorter Claws
Finally washed that Dear Evan Hansen stench out of my mouth.
'The Beekeeper' Review: Jason Statham Kicks Crypto Bros Butts With Solid Silliness and a Smug
Statham's Adam Clay works effectively as a fun action hero based on his pseudo-Bugs Bunny mode of operation.
'Night Swim' Review: Supernatural Suburban Pool Horror Fails to Make a Splash
I want to make a water-related pun, but it doesn't deserve my H2Originality.
'Hit Man' Review: Glen Powell Kills it as a Code Switching Contract Assassin | NYFF61
This crowd-pleasing flick is a sharpshooter, fueled by Powell's phenomenal star power showcase, Adria Arjona's mysterious poker face, and Linklater's kinetic direction.
'I Used to Be Funny' Review: Rachel Sennott Shows Range in Ally Pankiw's Thoughtful Comedy-Drama
If you thought Rachel Sennott was a star before, you haven't seen anything yet.
'Cora Bora' Review: Meg Stalter Shows Off Her Star Power in Solid Bisexual Dramedy | SXSW 2023
Cora Bora supplies welcome queer-inclusivity to an overfamiliar character archetype led by a show-stopping Megan Stalter