‘My Old Ass’ Review: A Delightful Coming-of-age and Coming-out-as-bi Comedy
Megan Park is two for two with a strong and resonant flick about reconciling with your younger self.
'Wallace & Gromit: Vengeance Most Fowl' Review: Aardman Delivers Another Smashing Wallace & Gromit Classic
Wallace & Gromit. They are Britain's finest export right next to Paddington Bear.
'Venom: The Last Dance’ Review: SymBrock Face their Curtain Call in Another Typical Sony/Marvel Mess
A mediocre finale to a rather lackluster superhero trilogy.
'Flow Review: Gints Zilbalodis’ Animated Animal Adventure Flick is a Refreshing, Near-Meow-ster Piece
Like ‘Homeward Bound’ in a biblical sense, but with no dialogue and GameCube-era cel-shaded textures.
'Anora' Review: Mikey Madison Slays as a Sex-Worker Who Pulls Herself up by the Stilettos
Sean Baker's Anora is a remarkable portrait of the American dreamers and go-getters of the Gen-Z kind.
‘Oh, Canada’ Review: Paul Schrader Dissects an Dying Director's Mortality in Soulful, Reflective Drama
NYFF 2024: A soulful look at the mortality of man, and the finest Paul Schrader has been in years.
‘Pavements’ Review: Alex Ross Perry Blends Fact, Fiction, and Trolling with Hilarious Experimental Music-Doc
Perry achieves the ultimate feat of having one's cake and eating it too.
‘Joker: Folie à Deux’ Review: Todd Phillips Sends the Clown to Court in Dull and Misguided Musical Sequel
Any movie that had me think write, "Lady Gaga is annoying in this," deserves a tomato to the face.
‘AJ Goes to the Dog Park’ Review: Straight-up Cartoonish, Gleeful Lunacy
Sheer absurdism at its finest and with the lowest of budgets
'Gazer' Review: Jersey Set Neo-Noir Mystery Marks Impressive Debut For Ryan J. Sloan
Has an underground 90s indie sleaziness, like a rare VHS you’d pick up at a Kim's Video store.