'Dead Lover' Review: A Freaky and Funny Frankenstein Iteration For the Freaks
If you're a big fan of the macabre and the absurdist, this one's for you.
'On Becoming a Guinea Fowl' Review: Zambian Customs are Challenged in Poetic Family Drama Concerning Silence and Complicity
Rungano Nyoni crafts a thoughtful, powerful, visually visceral firecracker of a family drama.
'Opus' Review: A Celebrity Cult Thriller Full of Sour Notes
Not even Ayo Edebiri and John Malkovich can save this "We have Get Out and The Menu at home" misfire.
'Paddington in Peru' Review: Paddington's Threequel is a Charming Adventure, but Lacks That Paul King Touch
Britain’s politest bear is back when it feels like the world needs him most.
‘Captain America: Brave New World' Review: Sam Wilson Gets Shafted in the MCU's Hulk-sized Desperate Attempt for Relevancy
Oops, all Incredible Hulk sequels!
'Omaha' Review: Shattering Road Trip Family Portrait is in Need of Substantial Character
I mean, I cried, but felt manipulated to do so.
'By Design' Review: Juliette Lewis Shines as a Chair in Esoteric Feminist Take on the Body Swap Formula
Only Amanda Kramer could make me believe that being inanimate feels more exciting than being alive.
'Love Hurts' Review: Ke Huy Quan Deserves a Better Star Vehicle Than This
Not so painful as early-year slop goes, but nothing to get doe-eyed over.
‘Magic Farm’ Review: Amalia Ulman's Stylish, Witty Satire Sees American Journalists Stranded in Argentina
Like a long episode of It's Always Sunny in Philadelphia if the gang were millennials.
'Sunfish (& Other Stories on Green Lake)’ Review: Sincere Anthology Flick Hoists a Strong Debut For Sierra Falconer
This was so sweet, I wish Michigan were real.