‘A Minecraft Movie’ Review: Jack Black’s Craft Can’t Save This Video Game Adaptation's Hollow-Blocked Banality
A corporate affair as lifeless as working in a mine shaft.
‘Warfare’ Review: Alex Garland and Ray Mendoza’s Visceral Iraqi-Set Flick is an Intense Portrait of Wartime Survival
A refreshing change of pace from nearly two decades of jingoist, nationalist Hollywood war films.
‘The Threesome’ Review: Zoey Deutch, Jonah Hauer-King, and Ruby Cruz Charms in Kinky and Compassionate Rom-Com
Delivers on supreme hetero chaos through a grounded and thoroughly charming lens.
‘A Working Man’ Review: Jason Statham's Latest Blue Collar Beat-em-up is a Dumb-as-bricks Delight
At this point, you should know what you're getting into when you see a Statham flick.
‘Mickey 17’ Review: Two Robert Pattinson's Find Their Individuality in Bong Joon-Ho’s Silly Absurdist Satire
Perhaps the movie we need in these Trump 2.0 times.
'Bob Trevino Likes It' Review: Befriending a New Father Figure
You are my dad; you're my dad, boogie, woogie, woogie.
'Snow White' Review: Rachel Zegler Stuns in Not-So-Heigh-Horrible Disney Live-Action Update
Rachel Zegler pours her entire soul into the role and every inch of that results in pure magic.
'Death of a Unicorn' Review: Unicorn Carnage Spree is a Surface Leveled Satirical Romp
A “baby's first satire” that's not as funny or clever as it seems.
'Dead Lover' Review: A Freaky and Funny Frankenstein Iteration For the Freaks
If you're a big fan of the macabre and the absurdist, this one's for you.
'On Becoming a Guinea Fowl' Review: Zambian Customs are Challenged in Poetic Family Drama Concerning Silence and Complicity
Rungano Nyoni crafts a thoughtful, powerful, visually visceral firecracker of a family drama.
'Opus' Review: A Celebrity Cult Thriller Full of Sour Notes
Not even Ayo Edebiri and John Malkovich can save this "We have Get Out and The Menu at home" misfire.
'Atropia' Review: Military Satire Has Wit and Romance, but Not Much Else | Sundance 2025
Barely a movie, more of a backdoor pilot for an FX series that would have aired in 2009.
A corporate affair as lifeless as working in a mine shaft.