Richard Jewell Review
Evidence that Paul Walter Hauser has the power to command a movie on his own and keep you emotionally attached to him.
Bombshell Review
I get that most of the film takes place in a network office space, but that doesn’t mean it should bear the filmmaking style of an episode of The Office.
Ford v Ferrari Review
For something that moves so fast, I always found race cars to be boring as hell, but boy does Mangold make them exciting.
Parasite Review
As I left the theater, the first words that were uttered under my breath was, “Oh, so this is what Cinema feels like?”
Marriage Story Review
Ugh, the more I type about this the more I tear up just thinking about it.
Pain and Glory Review
I’m loving this recent surge of screenwriters getting self-reflective with their projects, making some of the most poignant and effectively moving pictures of the year.
Waves Review
The more projects that director Trey Edward Shults tackles, the more ambitious he gets with his storytelling.
The Report Review
What NWA did to the police in a 4-minute song, Burns does to the CIA in 113 minutes through film.
Harriet Review
Now, let's retire the slavery narrative, especially the ones as generically formulaic as this.
A Beautiful Day in the Neighborhood Review
Marielle Heller is back with a vengeance — as she should be — with anotha one.