The Space Between Us Review
I think I found my new Kryptonite of cinema and his name is Allan Loeb.
Get Out Review
Get Out is a film that simply answers the question, “how would black people react in a horror film type of situation.” If you think this is the horror version of the 1967 Guess Who’s Coming to Dinner, it is much more than that.
Colossal Review
If The Truman Show, 10 Cloverfield Lane, The Gift, and Pacific Rim had an illegitimate baby, it would be Colossal.
A Dog's Purpose Review
The film is cute yet manipulative and cheesy without a doubt. But it’s a cute kind of manipulative cheese that just easily cuddles up to your heart no matter how tough you try to be. Similar to owning an actual dog.
xXx: The Return of Xander Cage Review
It's as if D.J Caruso was turned down by Warner Bros. to make Suicide Squad so he decided to make his own version but with xXx.
Monster Trucks Review
Monster Trucks would be the best Nickelodeon film ever made if it was released in 1997 after their release of Good Burger
The Bye Bye Man Review
I saw better three-minute projects in my high school’s Best Of than this pile of garbage.
Sleepless Review
The way this film was directed, it easily could've been a EuropaCorp production produced by Luc Besson and you wouldn't tell the difference.
Live By Night Review
The movie is pretty to look at, but when you get down to it, Live By Night is as hollow as a shell.
Split Review
This is his roots of storytelling that Shyamalan built his career on and he achieves just telling a simple yet solid psychological thriller that keeps you guessing through and through.
Assassin's Creed Review
When your best video game film adaption of 2016 was The Angry Birds Movie, you know you f’ed up.
Passengers Review
You thought the motive of Oscar Issac creating robots in Ex Machina was creepy, Chris Pratt’s motive of bringing Jennifer Lawrence into the film is creepy as hell and this destroys the tone for the rest of the film.